Monday, October 23, 2023

Enigma of Time and Identity in Borges’s The Book of Sand and Shakespeare’s Memory

 

           Borges is  a writer from Argentina  who has used the technique of magic realism to startle and delight the readers. His work deals with  history,  metaphysics of Schopenhauer and Berkeley, the cult of his ancestors, the imagery of mirrors, mazes and swords and imagination that  arouses curiosity, fear and suspense. As a  universalist, he writes , why should I think of myself as being an Argentine, and not a Chilean, and not an Uruguayan. ... in the long run, governments and countries will die out and we'll be just, well, cosmopolitans.” ("A Conversation With Jorge Luis Borges", Artful Dodge (April 1980)

     In the story  ‘The Other ‘, one finds the meeting between the young self and the old self of a writer on a bench beside the Charles River in Cambridge , north of Boston.  Both of them  share their childhood memories, house they lived in, furniture they had,   books and writers they liked . The young self  thinks of it as his  dream  and the old self replies  that the dream could end and goes on telling about the deaths of  their parents and grand  mother , the future of the young self as a teacher , the second world war, the ascendancy of Russia , the complacency of America , the knowledge of the labyrinthine soul  of the Slavic people by Dostoyevsky.  The old self  realizes that there has also been divergence despite the future of the young man as himself. After the parting also, the old self  claims  the encounter was real since the young  could forget him since he spoke to him in a dream whereas he spoke to him while he   was awake and  is still tormented by memory. Dream  of  the future and memory  of experience represent the young and the old selves and the  line between reality and illusion are thin.

   His ‘Ulrikke’ starts with  ,”My story will be faithful to reality, or at least to my personal recollections of reality, which is the same thing.” He meets her,  a Norwegian feminist in the Northern Inn . She was light and tall , with sharp features and gray eyes, aim of calm mystery and enchanting smile  and spoke a Colombian. When  she asks him what is’ being Colombian,’  he replies that he’s not sure but “it’s an act of faith.”  Both of them  are scholarly and after new experience. They go on long  walk , converse in literary allusions. She promises happiness in Thorgate Inn  and Javier Otarola, a celibate and middle aged man thinks “proffered love is a gift that one no longer hopes for; a miracle has the right to impose conditions” (14) Their union was eerie,line between reality and memory is blurred  and the story ends with the words,  “ for the first and last time, I possessed the image of Ulrikke.” (16) 

      Another story ‘A Weary Man’s Utopia’ imagines a world where language is Latin, printing and media have disappeared , present more important than past , the obsoleteness of  national states  and  professional  politicians who took to  honest work, disappearance of possessions,  inheritance, poverty , wealth, space travel  etc. When the seventy year old  professor of English and American literature  known as Eudoro Acevedo   also comes to know that every one has to produce his own art or science, he remarks,  “In that case, every man must be his own Bernard Shaw, his own Jesus Christ, his own Archimedes.” In the utopia  man faces his old age in solitude and healthy pursuits of contemplation and games and dies in peace and grace. The man from Utopia tells that man will be the master of his life as well as death. At the end the narrator sees the utopian man collects all his art and other things in the house  with four of his friends  and enters  the crematory.In his study on Calle Mexico, the old professor and writer of fantasy tales  finds himself  alone with the painting  to be done after many millennia.

   In the story  ‘The Book of Sand’ one evening  the narrator is sitting alone in his room in a fifth –floor apartment on Calle Bagrano. A stranger from Orkneys  of Scotland comes in and offers to sell a book. He claims that he has got a  holy book from an Indian  Dalit called the Book of Sand  or the Book of Books that has no beginning  page or no final page in exchange  for a few rupees and   a Bible. The peddler  “If space is infinite, we are anywhere, at any point in space. If time is infinite, we are at any point in time.”( 91) when the stranger offers to sell the book  for a huge sum, the narrator expresses his inability to but it. At last the stranger  parts with the book  for the full sum of pension and Wycliffe’s black-letter Bible offered by the narrator. He  becomes the  prisoner of the book hidden by him       behind some volumes of  Thousand and One nights. He attempts to preserve the book from being stolen or discovery that it might not be truly infinite, turns into a recluse an dreams of it . He  finds that both himself and the book have become monstrous in his  He  felt that “it was a nightmare thing , an obscene thing  , and that it defiled and corrupted reality“ (93) He  doesn’t want to burn  the infinite  book  causing  infinite pollution and   smuggles it  onto one of the shelves of the basement of the National library and avoids going there afterwards.   Does the author criticize the circular notion of time in vogue in India while progress is associated with the linear sense of time prevalent in the wish? What does the enigma of time mean here? Does the fault lie with time, socio-economic and political  structure  in India for not making lack of progress? Which does  determine meaning of life -- the time or history or the human agency?  

      In the story ‘There are More Things” makes us remember   Hamlet’s words .  “in the world than your philosophy dreams of.” Borges’s stories contain short and  precise lines revealing deep study and reflection, literary allusions and starting definitions and build up an ambience of  terror that creates suspense and terror in the moment of truth. The narrator’s words  “ If we truly saw  the universe, perhaps we would understand it.”(42)  The  narrator, A university student   comes to know about his beloved uncle’s death and  visits the place . his uncle taught him many things related to philosophy, science in a playful manner. He was an agnostic  and after his death his house has been bought by one Max Preetorius . The narrator  refers to the oppressive  air of the Norfolk pines and a peaked roof  of slate tiles and a square tower with a clock which seemed to weigh down the Red House , he writes , “As a boy, I accepted those facts of ugliness as one accepts all those incompatible things that only by reason of their coexistence are called “the universe.”  One day the sheep dog of the uncle was found dead in a grotesque manner. The nephew  meets Alexander Muir, the builder and friend of his uncle and  another tough guy Daniel Iberra and Mariani, the carpenter  who tell him about the abnormal  temperament of Preetorius.  One rainy night the narrator enters the house  by chance and also by curiosity , searches the rooms for the monstrous creature and while coming down  the ladder from the upstairs he hears heavy steps. The last   line “Curiosity got the better of fear ,and I did not close my eyes” terrifies the reader.   

    In the story ’Congress’  Alexander Ferri   who comes up hard in life relates  as the delegate the memory of a mysterious congress which used to discuss various things under the Sun.    Borges ‘s dry humour comes out in sentences such as   “Indecisiveness or  oversight  or perhaps other reasons led to my never marrying , and now I am alone.  I do not mind solitude ; after all, it is hard enough to live with one self and one’s own peculiarities.” (17) the members from different backgrounds meet periodically under the chairmanship of one Don Alejandro , a man of means and generosity. The congress embarks on becoming a   representative body of all the people and to develop an international language .The narrator Ferri and Eguren , the nephew of Alejandro are sent to London and Paris where  they mix up business and pleasure.  Don Alejandro  who arranges a bonfire of  the mound of  books painstakingly collected  claiming that   the Congress includes every thing in time and space and it’s not a handful of persons prattling on ranch.  He says, “ There is no place it is not. The Congress is the  books we have burned.     It is the  Caledonians  who defeated the Caesar’s legions. It  is Job on the dunghill and Christ  on the Cross. The Congress is even that worthless young man who is squandering my fortune on  whores.”(33) The narrator remarks that  the night of realization remained unforgettable and occasionally he “caught a snatch of it in a song, in love making , in uncertain memory, but it has never fully come back to me save once, one early morning, in a dream.”(35) 

       Borges’s story ‘Avelino Arredondo’, based on the real incident  shows   the nurturing of  the anger and purpose by the apparently reserved person who goes into seclusion to do away with the dictator.  Arredondo ‘s sticking to prayer in spite of his agnosticism is based on the writer ‘s own life-long  experience  of prayer at the behest of his mother. The story evokes many historical associations through childhood memories of the Arredondo.’ The Disk’ shows the futility of greed and murder  by a wood-cutter who  wants to possess another man’s   royal fortune supposedly lying in the  one side disk in his hand  which is  never found.

   ‘The Bribe’ shows the academic rivalry in a university department  that leads to many stratagems and academic esoteric articles in the name of research and exhibition of vanity to settle scores . At the end of  the story, Winthrop, the head  who prefers  Einarsson  to  Locke to represent university in  a conference at Wisconsin   tells after the latter’s confession, “we share one sin, at least—vanity. You’ve   come to my office to throw in my face your ingenious stratagem; I gave you my    support so I could boast of my integrity.” (79)

   The story ‘Undr’ tells how one has to live and seek his life on his own and utter something different from the  traditional one. The story is  narrated as part of writing by one  Adam of Bremen who  tells the story of an Icelander  called Ulf Sigurdarson . The latter  has visited the land  of the Urns and its king. .  The people of the Urns are mainly shepherds, ferrymen, sorcerers, swordsmiths and rope makers and the land has been supposed to have a poetry of a single word.  Sigudardarson has been asked to  flee  and save his life  by another person named Thorkelson . Sigudarson tires to  know the single word  but told to seek it on his own. He passes through a life of  vicissitudes and again revisits Thorkelson who in his last moment gives the word ‘Undr’ which means ‘wonder.’ When Sigurdarson is asked to repeat the word, he utters a different word.

     The story , “The Sect of the Thirty”  tells about a  group  unconverted to the Christian  ethics. The group also embraces the ideals of equality, lack of private property, unbridled lustfulness. The name could have come from their number or the height of the Ark or the number of nights with in a lunar month or  out of the conventicler known as the Thirty Pieces of Silver .The narrator doesn’t  give the Word to save and leaves it to the wiser people and the act of crucifixion, “there is not one lone guilty man; there is no man that does not carry out, willingly or not , the plan traced by the All-Wise. All mankind now shares in Glory” (47). The sect  revered the redeemer and the betrayer equally and  the members resorted to  crucifying them selves on reaching a certain age.   The entire story is told as if it were  found from  document in Greek dating  from fourth century AD and even referred to by Gibbon.

    ‘Shakespeare’s memory’ is another collection in which Borges reveals the quality of invisible and enigmatic connection between  magical memory of a dead poet and . The narrator Hermann Sorgel  gets Shakespeare’s memory which needs to be  ‘discovered ‘ in the wakeful as well as sleep states and takes an uncertain time. The narrator  reread Shakespeare’s  volumes and enters “the palaces and the caverns of memory ‘ and  memory offers “the chaos of vague possibilities(128)he realizes that circumstances  alone can’t explain away the greatness. Shakespeare’s gift was to change “trivial terrible things that all men know into fables, lively  characters and  abiding  verses with music. When Shakespeare’s memory was inundating him , the narrator becomes afraid of losing his  parental  language and sanity. For a week, he thinks of himself as Shakespeare and finally one day gets rid of his burden by passing on that memory to another wiling person on Phone. He tries hard to redeem himself through study of Blake’s mythology and Bach’s music but at dawn in sleep and in the twilights , he gets disturbed by small. Fleeting and genuine music.

  In the ‘Rose of Paracelsus’, a  person called Grisebach   comes to him  be taken as a disciple and asks him to make rose into ashes appear again as rose. The     teacher refuses  to do so but the latter persists for a proof to allow him to  spend some years as a student and says perhaps he has been a fraud as some of his critics say. The disciple leaves him forever in remorse and promises to come back when he has more faith. But after he’s gone , Paracelsus turns ashes into rose. The story tells how faith is prerequisite in learning.  

  In the story, ‘August 25,1983’ the narrator enters a hotel  and gets surprised to find his name already in the register and a look alike occupying the room. There he sees his older self  and talks to him  and two  talk of dreaming each other. The older Borges talks of suicide and asks of the  most terrible moment in their lives and smiles at reply saying that  they feel as two though they are one.  The older one talks of visit to Rome, reciting of Keats’ s poetry, elegy on the beloved, the masterpiece to be written, the criticism of it being imitative of Borges, the old age , the humiliation  and other things  leading to the present condition on the verge of suicide. The older self understands the  annoyance felt by the younger one and says, “ The stoics teach that we should not complain of life—the door of the prison is open.      I have also understood that; I myself saw life that way, but laziness and cowardice held me back.” (104) then the older self  realizes the thing to be done  while giving a lecture on Aeneid ,and that has led to him the final moments. When the younger self raises his head, he finds nothing there or outside except other dreams awaiting him. In Borges, we find this technique of conversation between  double selves , the thin line separating life from dreams and intra-communication seems powerful  and demanding .  

     Borges often employs the method of mixing history, mythology and suspense. Timothy McGrath writes, “ Borges’ stories subtly and without mal-intent, demand a reexamination of the way we collectively relate to the world... questions the reliability of the past – something by which individuals, ethnicities and nations define themselves.” (http://www.themodernword.com/borges/borges_criticism.html).verything becomes just another story.”

  

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