Wednesday, January 31, 2024

Premchand’s 'Godan' - An Unforgettable Novel of Bharat Before Independence

 

This is an unforgettable novel to which I  returned after four and half  decades.  In this novel, Premchand portrays  village life caught in the grip of  feudalism  during pre-independence times.  Hori , the farmer under the grip of traditions, usury, domination by Zamindar, village Panchayat elders . He gets separated from his brothers Heera and Sekhar. He gets a cow which is poisoned by his brother Hera who absconds from village. He turns into a debtor , pays penalty demanded by elders when his son Gowar goes away from villages after marrying Jhunia against the wishes of  her family. His oxen were confiscated by Bhola in lieu of debt incurred to buy cow earlier. Hori has to take care of his brother Hera’s family and their lands. He himself becomes a coolie in the lands of Sastry, one of the Village elders.  Gowar earns money through various sundry activities, business and usury. He comes back to his village and restores the status of his family to an extent. But soon Gowar gets tired of petty life in  village, goes back to Lucknow, turns into a worker from a petty trader , indulges in beating  his wife, and even loses his elder son. His wife Jhunia grows alienated due to her husband's insensitivity. Later she   gives birth to another child and her neighbour  .  When he is beaten by the henchmen of the factory owner, Jhunia nurses him back to his  health leading to a change of heart in him. Meanwhile Hori gets his daughters Sona and Rupa  married  but gets debt ridden. Sona gets angry with Silia suspecting that she has flirts with her husband Madhur . Matadeen realises the folly of caste discrimination and reunites with Silia, Gowar comes back to his family to mitigate the burden of his father, Hori’s brother Heera comes back  after long time and apologizes for his misdeed of killing the cow. In the end ,  Hori , the farmer-coolie- and eternal debtor dies. Dhania, his wife and a  monument of patience and a symbol of defiance  gives up one rupee and four annas as ‘Godan’ or gift of cow to the Pandit.

Dhania comes out as a strong woman who can go against social norms to protect the weak and protest against the exploiters. She gives shelter to Jhunia , and later Silia who have been left in the lurch by their husbands Gowar and Matadeen. Both women  belong to the  marginalized sections. Dhania also is fearless in criticizing those elders, and usurers   who   take advantage of Hori. One can also find  Jhunia and Silia who survive against all odds through their patience, tricks and steadfastness in dealing with other men. They flirtation is to save themselves and pay back the wily in the same coin. The characters like Gowar, Matadeen, Sastry belonging to the Middle and the upper castes  represent the evasion and  vacillation in fighting traditional norms. The coolies and Madigas come out daring in seeking justice for Silia. Silia’s parents and brothers beat her for transgressing caste norms in having relationship with Matadeen but also teach a lesson to him by cutting off his holy thread and putting a bone in his mouth to make him lose caste. Sastry assures his son Matadeen through talking of expiation. Hori is a traditional figure, compliant, suffering, fatalistic, fearful of his wife Dhania, the strong woman. Prem Chand’s women characters such as Dhania, Jhunia, Silia, Nohari all symbolize struggle and  endurance in the face of  unfavorable  social conditions and traditions.           

  Godan is  a novel that moves the reader to the core of his heart. The novelist  portrays the human relations distorted by economic entanglements, pressures by village life on women deceived , celebration of  festivals, the  pyramid like hierarchy of collies- tenants- village elders- Police and bureaucrats and Zamindar from bottom to the top, the contradictions between the rural and the urban life.  The caste norms,  transgression of traditional mores, assertion of individuality  by the sufferers , domination by the privileged all are shown in a heart moving   manner. It is the saga of the people caught in the era of transition between feudalism and  the emerging  capitalism.         

The translation had been done by Atluri Pitcheswara Rao in a racy and  in vibrant  dialect. Even the names Gowar, Mirza, Malati, Sekhar, Sastry  are recognisable across regions. This is  the story of a  village, a microcosm of rural India in the first half of tw

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